BUESCHER / BUNDY

Serial Number

Year Manufactured

5,000

1905

5,020

1906 *

6,610

1907 *

7,808

1908 *

8,580

1909 *

11,250

1910

13,685

1911 *

15,870

1912 *

18,178

1913 *

22,860

1914 *

25,103

1915 (Union Label)

28,875

1916 *

32,350

1917 *

37,540

1918 *

46,975

1919 *

61,255

1920

78,525

1921 *

99,275

1922 *

125,750

1923 *

150,250

1924 *

175,275

1925

202,350

1926 *

222,175

1927 *

235,250

1928 *

275,275

1929 *

255,250

1930

260,125

1931 *

264,025

1932 *

265,523

1933 *

267,356

1934 *

269,000

1935

272,896

1936 *

279,300

1937 *

2?4,418

1938 *

288,024

1939 *

291,000

1940

294,12?

1941 *

297,527

1942 *

303,000

1945

312,000

1948 *

316,000

1949 *

332,000

1950

337,000

1951 *

347,000

1952 *

350,000

1955

360,000

1960

381,000

1963 (Purchased by Selmer USA)

408,818

1965

520,000

1970

630,000

1975

785,000

1980

875,000

1983


* These serial numbers were provided by Albert Mensinga

The first Buescher horns (pronounced "Bisher" were manufactured in 1888. Serial numbers up to approximately 4000 were produced prior to the fire at the Elkhart, IN Buescher plant in 1905, when all records are believed to have been destroyed. The "TrueTone" model was one of the most popular saxophones of the 1920's and one of the few saxes of it's day with very good intonation. The TrueTone was updated in 1926 with the addition of a front F key. These saxes are mostly seen in satin silver plate but there are quite a few in gold plate. 1930 marked the introduction of the "New Aristocrat" which was also mostly done in silver. It was replaced by the "Aristocrat" and then the Aristocrat commonly known as the "Big B" Aristocrat in 1940. The "Buescher 400" was their most advanced professional entry into the saxophone market and was the highlight of their resumption of production after WWII. They also continued to make "The Aristocrat" at the same time. What distinguished the Buescher 400 from the Aristocrat was a larger bell, silver plated key mechanism with a lacquered brass body, highly ornate raised engraving, and options of silver or gold plating for the body and key mechanism the patented "Norton" threaded gold-plated springs, and, the underslung octave key on the neckpiece. This model had slightly larger inner bore dimensions than other models of the period which gave them a bigger sound more conducive to Jazz. The "Aristocrat", on the other hand, was a decidedly "sweeter" sounding instrument, yet still very powerful. After 1960 the Aristocrat became a student model. The earlier "Top Hat and Cane" versions of the "400" are preferable to the latter, less ornate, entries. Most believe that the Buescher models make by the Selmer Co. (after they purchased Buescher in 1963) were not up the quality of the earlier versions. After Buescher was purchased by Selmer, the "400" eventually became the "Signet" and the "Aristocrat" became the "Bundy"; same looks but drastically different bore dimensions. The original Bueschers were each "handmade" instruments, and incorporated Adolphe Sax's unique design of a parabolically curved bore design. Buescher saxes of the late 20's, thru early 50's are among the best saxophones ever made in America.

The above history was provided by Mick Boudreau.

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